Hands-On The Grand Seiko Elegance Collection ‘Slim’ Hand-Wound Limited Editions
One of the couple of bandy Grand Seiko fans specifically, and watch fans when all is said in done, have with Grand Seiko watches is the overall thickness of the watches. Somewhat, this is a result of Grand Seiko’s choice to go with very strong development for their developments, yet the longing for Grand Seiko quality and incentive in a more thin watch had all in all stayed unsatisfied, until the new presentation of four new watches in the Elegance assortment, which utilize a recently presented hand-wound type. The new development is the type 9S63, which is designed with a force save at 3:00 and a sub-seconds dial at 9:00. This yields wristwatches with a 39mm measurement and a tallness of 11.6mm, versus somewhat over 13mm for a commonplace Grand Seiko time-and-date automatic.
The new hand-wound type 9S63.
The four watches were declared as restricted versions, running in cost from a $7400 steel model with a “Mt. Iwate” design dial, and three models in gold – one with a white dial, and two with dials improved with maki-e Japanese enamel. Maki-e is a lacquerware strategy where gold powder is utilized to make extra images or examples on the lacquer.
In the metal, the steel model’s actual striking – it doesn’t have the very close sensation of unobtrusive extravagance of the enamel dial models however it’s an amazingly attractive watch in its own right; the “Mt. Iwate” design has a portion of the dazzling, universe of-nature vibe of the Spring Drive Snowflake, with a portion of the clear radiance of the peacock-dial Hi-Beat GMT.
The model in gold, with a white dial, is just about an alternate watch completely (which you’d expect given the totally different dial treatment and the yellow gold case). Of the three models, this is the one that feels the most exemplary in its execution; it wouldn’t watch strange sitting close to a portion of the incredible mid-century time-just watches created by Patek, Vacheron, and Audemars Piguet (the domed precious stone and compliment than-normal case has a ton to do with this too). The lavishness of gold is consistently something intriguing to add to the Grand Seiko blend – the sheer degree of meticulousness that Grand Seiko pampers on the components of each watch as of now make steel look like unadulterated unobtanium, and in combination with gold you get a clear, if additionally attentive, lushness.
The red urushi lacquer model with maki-e dial is incredibly unpretentious face to face. There’s an example of striations in the finish that appears and vanishes as the light changes, and it gives the dial a great profundity and feel of complexity without becoming lost in its own subtleties, and as is normal for urushi lacquerware, the shading shifts as the light changes. The maki-e Arabic numerals and markers give a similar vibe – their surface feels marginally natural and in both the dark veneer and red finish models, there’s a feeling of something natural under the dial which offers a stamped difference to the freshly perfect clean of the hands and case.
Though a distinction a few millimeters doesn’t seem like much on paper, any watch devotee will disclose to you that it can have a colossal effect on the wrist. The new “Thin” models are obviously not extra-level watches – there are some additional level developments in the Credor family, in spite of the fact that to the extent I realize they’ve never been offered in a Grand Seiko case and have all the earmarks of being generally, if not altogether, Japan homegrown market items. Nonetheless, they do wear recognizably another way from the thicker programmed Grand Seiko models, and more so than you may might suspect from the size distinction alone as the “Thin” models have pretty profoundly domed crystals.
The just hand-wound Grand Seiko that I’ve gotten an opportunity to invest any energy with is SBGW231, which has no complications and no date, and is 37mm in breadth and 11.6mm thick. While the thickness of that watch is equivalent to the “Thin” restricted versions, the last feel fairly compliment on the wrist (potentially on account of an alternate viewpoint ratio).
Overall these four new models feel like an invigorating and very unique update to the current Grand Seiko families. They feel a touch more worldwide in flavor without losing the unmistakable Japanese soul that is a particularly colossal piece of the Grand Seiko bid. For full estimating and details, look at our presenting post here , and furthermore at Grand-Seiko.com.